Alessandro Scarlatti: Stabat Mater [Emma Kirkby, Daniel Taylor]

Alessandro Scarlatti (1660-1725)

Stabat Mater 

Emma Kirkby (soprano)

Daniel Taylor (alto)

Theatre of Early Music

Concerto XXI

Francis Colpron (recorder)

Theatre of Early Music

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(by courtesy of basso profundo@Susato)

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Posts with:  Daniel Taylor, Emma Kirkby, Francis Colpron

The Artistry of Emma Kirkby

The Artistry of Emma Kirkby

CD1

George Frideric Handel (1685-1759)

Gloria

Salve Regina

O Qualis de coelo sonus

Colestis dum spirat aura

Laudate pueri

London Baroque

Charles Medlam

CD2

Philipp Friedrich Böddecker (1607-1683)

Natus est Jesus

Johann Sebastian Bach (1685-1750)

Öffne Dich mein ganzes Herze (from BWV 61)

Bereite dir, Jesu, noch itzo die Bahn (from BWV 147a)

London Baroque

Charles Medlam

Christoph Graupner (1683-1760)

Cantata 'Ach Gott und Herr'

Theatre of Early Music

Christopher Jackson (organ)

François Couperin (1668-1733)

Premiere Lecon de Tenebres

Troisieme Lecon de Tenebres

Agnès Mellon (soprano)

Charles Medlam (bass viol)

Terence Charlston (organ)

Michel-Richard De Lalande (1657-1726)

Troisieme Lecon de Tenebres

Charles Medlam (bass viol)

Terence Charlston (organ)

CD3

Alessandro Scarlatti (1660-1725)

Non so qual pi M´ingombra

O di betlemme, altera poverta venturosa

London Baroque

Charles Medlam

Attilio Malachia Ariosti (1666-1729)

Pur alfin gentil viola

Tomas Georgi (viola d'amore)

Lucas Harris (archlute)

Mime Yamahiro Brinkmann (cello)

Cataldo Amodei (1649-1693)

Su L´ore che l´aurora

Va, che l´hai fatto a me

Lieve al pie, grave al passo

Jakob Lindberg (theorbo, archlute)

Lars Ulrik Mortensen (harpsichord)

CD4

John Dowland (1563-1626)

O sweet woods

I saw my lady weepe

Daphne was not so chaste

Farewell too faire

Time´s eldest sonne

Anthony Rooley (lute)

John Dowland (1563-1626)

Shall I strive with words to move ?

John Danyel (1564-c1626)

Dost thou withdraw thy grace ?

Robert Johnson (c1583-1633)

Full fathom five thy father lies

Sigismondo d'India (c1582-c1629)

Da L´onde del mio pianto

Georg Schimmelpfennig (1582-1637)

Dolce tempo passato

Heinrich Schütz (1585-1672)

Eile mich, Gott zu erretten

Étienne Moulinié (c1600-after 1669)

Paisible et ténébreuse nuit

Jean-Baptiste Boësset (1614-1685)

Que Philis a l´esprit léger

Jakob Lindberg (lute)

Henry Lawes (1596-1662)

Anacreon´s Ode (original Greek)

Anacreon's Ode (in English)

At dead low ebb of night

John Blow (1649-1708)

Sappho to the goddess of love

John Wilson (1595-1674)

Diffugere nives

Alfonso Ferrabosco II (c157-1628)

So beautie on the waters stood

Henry Lawes  (1596-1662)

Orpheus' Hymn to God

Maurice Greene (1696-1755)

Orpheus with his lute

John Weldon (1676-1736)

Stop, O ye waves

Anthony Rooley (theorbo, lute)

Emma Kirkby (soprano)

(4CD, flac image, log, cue, booklet)

(by courtesy of basso profundo@Susato)

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Shakespeare: Come Again Sweet Love [Daniel Taylor]

Shakespeare

Come Again Sweet Love

Henry Purcell (1659-1695)

By beauteous softness mixed with majesty

Edward Johnson (1572-1601)

Come again, sweet nature's treasure

Robert Jones (fl1597-1615)

Now what is love?

Thomas Robinson (1589-1609)

Fantasie & Toye

John Dowland (1563-1626)

Come again, sweet love doth now invite

Henry Purcell (1659-1695)

If music be the food of love Z379A

Robert Jones (fl1597-1615)

Sweet Kate

Tobias Hume (c1569-1645)

Virgin's muse

Thomas Morley (1557-1602)

Sweet nymph, come to thy lover

John Dowland (1563-1626)

Galliard

Thomas Morley (1557-1602)

It was a lover and his lass

Robert Johnson (1583-1633)

Full fathom five

Orlando Gibbons (1583-1625)

The Silver Swan

Robert Johnson (1583-1633)

Where the bee sucks

Robert Jones (fl1597-1615)

Farewell Dear Love

John Dowland (1563-1626)

If my complaints could passions move

John Bennet (c1575-c1614)

Weep, O Mine Eyes

John Wilson (1595-1674)

Take, O take those lips away

Anonymous

The Willow song

John Dowland (1563-1626)

Semper Dowland Semper Dolens

Edward Johnson (1572-1601)

Come again, sweet nature's treasure (reprise)

Daniel Taylor (countertenor)

The Theatre of Early Music

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(by courtesy of basso profundo@Susato)

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Early Music 05 - La naissance de la Polyphonie

La naissance de la Polyphonie

Polyphonie Aquitaine à Saint-Martial de Limoges

Domine labia mea aperies / Deus in adjutorium meum

O primus homo coruit

Ensemble Organum

Marcel Pérès

Resonemus hoc natali

Theatre of Voices

Paul Hillier

École de Notre-Dame

Messe du jour de Noel

Ensemble Organum

Marcel Pérès

Léonin

Propter veritatem

Pérotin

Viderunt omnes / Notum fecit Dominus

Hoquets du Manuscrit de Bamberg

In seculum Longum

In seculum Viellatoris

In seculum Breve

In seculum D'Amiens Longum

Theatre of Voices

Paul Hillier

Motets du Manuscrit de Montpellier

Puisque bele dame m'eime

Ne sai, que je die

Dame que je n'os noumer

S'on me regarde

Chansons Mariales

Ave maria gracia plena

Pia mater gratie

Ave nobilis venerabilis

Anonymous 4

Graduel d'Aliénor de Bretagne

Orbis factor

Ensemble Organum

Marcel Pérès

Messe Mariale à la Cathédrale de Salisbury

Anonymous 4

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(by courtesy of Tom Pouce@Susato)

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Posts with:  Paul Hillier, Ensemble Organum, Anonymous 4

Early Music 08 - Musique sacrée de la Renaissance

Renaissance Masses and Motets (1500-1600)

Josquin Desprez (c1440-1521)

Missa Pange Lingua: Kyrie, Gloria

Ensemble Clément Janequin

Dominique Visse

Ensemble Organum

Marcel Pérès

Pierre de La Rue (c1452-1518)

Messe de l' Homme Armé: Kyrie, Gloria

Yvon Repérant (organ)

Ensemble Clément Janequin

Dominique Visse

Clément Janequin (c1485-1558)

Messe La Bataille: Credo

Les Sacqueboutiers de Toulouse

Ensemble Clément Janequin

Dominique Visse

Giovanni Pierluigi da Palestrina (1525-1594)

Missa Viri Galilaei: Gloria, Agnus Dei I & II

Ensemble Vocal Européen

Philippe Herreweghe

William Byrd (c1540-1623)

Mass for 4 voices: Kyrie, Gloria

Pro Arte Singers

Paul Hillier

Claudio Monteverdi (1567-1643)

Messa a quattro voci da cappella: Sanctus, Benedictus

Ensemble Vocal Européen

Philippe Herreweghe

Josquin Desprez (c1440-1521)

Salve Regina

La Chapelle Royale

Philippe Herreweghe

Thomas Tallis (c1505-1585)

Salvator Mundi

Theatre of Voices

Paul Hillier

Roland de Lassus (1532-1594)

Hieremieae prophetae lamentationes: lamentatio tertia, tertii diei

Giovanni Pierluigi da Palestrina (1525-1594)

Viri Galilei

Carlo Gesualdo (1561?-1613)

Ave dulcissima Maria

Ensemble Vocal Européen

Philippe Herreweghe

Pascal de l'Estocart (?1539-1584)

Réveillez vous chacun fidèle

Roland de Lassus (1532-1594)

Quand mon mari s'en va dehors

Claude Goudimel (c1514-1572)

Après avoir constamment attendu

Claudin de Sermisy (c1490-1562)

Tant que vivray en aege florissant

Ensemble Clément Janequin

Dominique Visse

Thomas Tallis (c1505-1585)

Why fum'th in sight

Tallis' Canon

Theatre of Voices

Paul Hillier

(flac image, log, cue, booklet)

(by courtesy of Tom Pouce@Susato)

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Posts with:  Paul Hillier, Dominique Visse, Philippe Herreweghe, Marcel Pérès

The Voice of Bach [Daniel Taylor]

The Voice of Bach

Sinfonia (Cantata BWV 4: Christ lag in Todesbanden)

Aria: Erbarme dich, mein Gott (BWV 244: St.Matthew Passion)

Duet: Wir eilen mit schwachen, doch emsigen Schritten (BWV 78: Jesu, der du meine Seele)

Motet: O Jesu Christ, meins Lebens Licht (BWV 118b)

Sinfonia (Cantata BWV 12: Weinen, Klagen, Sorgen, Zagen)

Aria: Es ist vollbracht! (BWV 245: St.John Passion)

Duet: Du wahrer Gott und Davids Sohn (Cantata BWV 23)

Chorale: Vor deinen Thron tret' ich hiermit (BWV 668)

Aria: Schließe mein Herze, dies selige Wunder (BWV 248: Christmas Oratorio)

Sinfonia (Cantata BWV 21: Ich hatte viel Bekümmernis)

Aria: Bereite dich, Zion (BWV 248: Christmas Oratorio)

Agnes Zsigovics (soprano)

Daniel Taylor (countertenor)

Theatre of Early Music

(flac image, log, cue, booklet)

(by courtesy of basso profundo@Susato)

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Early Music 03 - 1000 ans de chant Grégorien

Chant Grégorien

Universi qui te expectant

Dominique Vellard

Messe de Requiem grégorienne

Deller Consort

Alfred Deller

Une messe de l'an 1000

Omnipotens eterne

Corpus quod nunc / Psallite Domino

Cives celestis patrie

Codex Calixtinus

Regem regum dominum

Iacobe servorum

Ascendens Ihesus in montem

Anonymous 4

Chant Cistercien - Répons de Matines pour la fête de saint Bernard

In timore Dei

Testamentum eternum

Dedit Dominus confessionem sancto suo

Ensemble Organum

Marcel Pérès

Magnus Liber Organi

Natus est rex

In Natale

Theatre of Voices

Paul Hillier

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(by courtesy of Tom Pouce@Susato)

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Posts with:  Dominique Vellard, Deller Consort, Anonymous 4, Ensemble Organum, Paul Hillier

Early Music 04 - Trouvères & Troubadours

Le temps de l'amour courtois

Anonymous

A l'entrada del temps clar

Bernart de Ventadorn (c1130-c1180)

Vida

Folquet de Marselha (1180-1231)

Sitot me soi

Clemencic Consort

René Clemencic

Anonymous

Volez vous que je vous chant

Gautier de Coincy (1167-1236)

Efforcier m'estuet ma voix

Hyer matin a l'enjornee

Hyer matin / Benedicamus Domino

Ja pour yver

The Harp Consort

Andrew Lawrence-King

Thibaut de Champagne (1201-1253)

Deus est ensi comme li pellicanz

Paul Hillier (baritone)

Andrew Lawrence-King (psaltery)

Adam de la Halle (c1240-1287)

Entre Adan et Anikel / Chiès bien séans

Theatre of Voices

Paul Hillier

Alfonso el Sabio (13th c)

Bailemos nos ja todas tres

Todos los santos

Martin Codax (fl 1250-1275)

Quantas sabedes amar

The Dufay Collective

Neidhart von Reuental (c1180-c1237)

Sic an, guldin huon !

Tannhäuser (c1205-c1270)

Ich lobe ein wip

Neidhart von Reuental (c1180-c1237)

Owê dirre not

Drew Minter (countertenor)

The Newberry Consort

Mary Springfels

Anonymous

Bacche, bene venies

Deduc Syon uberrimas

Clemencic Consort

René Clemencic

(flac image, log, cue, booklet)

(by courtesy of Tom Pouce@Susato)

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Posts with:  René Clemencic, Andrew Lawrence-King, Paul Hillier, The Dufay Collective, Drew Minter, Mary Springfels